Friday, June 29, 2012

DRJ #3


           My initial reaction to this act was that Iago is really starting to stir things up and kick his plan into the next gear. He reminds me of a young kid who starts a rumor about someone, only this is much deeper. Kids will start different rumors about different people just like Iago does in this act.

            Throughout the whole act I kept wondering what was going on in Othello’s mind that would allow him to sincerely believe the ideas that Iago was putting into his head. He has a tremendous flaw in how gullible he is. Instead of communicating with his wife or Casio about the situation, he allows Iago to tear him apart. There is little evidence in the story that actually proves anything could have happened between Cassion and Desdemona, but he allows his greatest fears get the best of him. He allows Iago to tap into his most vulnerable spots and begins believing in the things he is being told instead of looking into it himself.

            The theme that kept coming back in this act is insecurity. Othello’s guile and insecurity are what really enable Iago’s plan to be effective. This act is where Iago’s plan is really beginning to take a toll on Othello. In 3.3.430-450 is when Iago begins giving Othello the “proof” that he is looking for in demonstrating Desdemona’s unfaithfulness. He planted the strawberry handkerchief in Cassio’s home and while there is a very simple explanation for what happened, Othello lets his fear take over in place of his common sense. His insecurity, which really began by his questioning of the manner in which Desdemona left her father’s home, shines through when Iago begins to play with these insecurities.

3 Comments:

At July 2, 2012 at 9:20 AM , Blogger Lauren E said...

I think that Othello wants to be accepted so bad that he will do just about anything to achieve that goal. So he was not really thinking as straight as he should have been. It would be difficult to make any kind of decision when a close friend and wife are constantly watching over his shoulder and contradicting each other.

 
At July 3, 2012 at 3:45 PM , Blogger Alex Fuson said...

I like how you pointed out that no one in this story really goes to the person being accused until the very end of the play. Othello doesn't really approach Desdemona until he's already planning to kill her. Cassio assumes Iago is telling him the truth about Othello and Desdemona. Roderigo and Desdemona take stock in Iago's words, too. All these people believe what they're being told without actually going to those they are worried about; Othello approaches Desdemona eventually, but he's not REALLY listening to her answers because he's already made his mind up. Cassio doesn't flat out ask Desdemona if she "has a thing for him". Roderigo takes Iago's word as gospel for the most part. It almost all boils down to how insecure they all are. They are so fearful of what the other person might ACTUALLY think that they just assume the rumor-mill is the truth instead of approaching them on their own.

 
At July 3, 2012 at 11:05 PM , Blogger Unknown said...

What amazes me is how all of these people are involved, and no one is asking questions. They are just taking it all from Iago like its gold. Why didn't Emilia ask why he wanted it so bad, then investigate and find out. That should have seemed pretty weird to her that her husband was obsessed over a someone else's snot rag. Just saying.

 

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